• Which one deserve this Title, the most if You are supposed to Choose one of these two ?

    #wwe #WrestleMania #wrestlemania41 #wwesmackdown #moneyinthebank #wwefans #Wrestling.
    #codyrhodes #Codyrhodesfans #Codyrhodeslovers #codyrhodeslover #Codyrhodeswwe #Codyrhodestheamericannightmare
    #wwe #WrestleMania #wrestlemania41 #wwesmackdown #moneyinthebank #wwefans #Wrestling #Romanreigns #Romanreignsfans #Romanreignslovers #Romanreignslover #Romanreignsthetribalchief
    Which one deserve this Title, the most if You are supposed to Choose one of these two ? #wwe #WrestleMania #wrestlemania41 #wwesmackdown #moneyinthebank #wwefans #Wrestling. #codyrhodes #Codyrhodesfans #Codyrhodeslovers #codyrhodeslover #Codyrhodeswwe #Codyrhodestheamericannightmare #wwe #WrestleMania #wrestlemania41 #wwesmackdown #moneyinthebank #wwefans #Wrestling #Romanreigns #Romanreignsfans #Romanreignslovers #Romanreignslover #Romanreignsthetribalchief
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  • WWE Evolution just one week away, can we pleeeeease take a second to s/o the BIG 3, who have been doing Big Things lately. Bianca Belair taking Elimination Chamber, Naomi not only being the best heel in the business but also Ms Money in the bank, and Jade Cargill is the Queen of the ring. 🙌🏼🙌🏼🙌🏼🙌🏼🙌🏼 LETS GET IT LADIES!!! #wwe #biancabelair #naomi #jadecargill #wrestling #prowrestling

    Credit #vigilantetalks
    WWE Evolution just one week away, can we pleeeeease take a second to s/o the BIG 3, who have been doing Big Things lately. Bianca Belair taking Elimination Chamber, Naomi not only being the best heel in the business but also Ms Money in the bank, and Jade Cargill is the Queen of the ring. 🙌🏼🙌🏼🙌🏼🙌🏼🙌🏼 LETS GET IT LADIES!!! #wwe #biancabelair #naomi #jadecargill #wrestling #prowrestling Credit #vigilantetalks
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  • *LESSONS FOR WOMEN IN MARRIAGE! +18*

    Most women complain of sexual dissatisfaction but the question you should be asking yourself is: Are you playing your part as a woman? Do you know the things that turn your man on? Do you know that a man needs to be caressed and complimented in order to feel like making love to you?

    May You Try This It May Help:

    1. Be romantic, playful, and spontaneous. Touch your man play with his body flirt with him on the phone compliment him always tell him you love him send him dirty suggestive messages.


    2. Please do not be afraid: Ashamed or irritated to take him into your mouth it's exciting once you get the hang of it.

    3. Allow him unlimited access to your body: Allow him to go down on you. Do not hide your sensitive areas: surely why do hide your breasts ears and womanhood then claim he can't turn me on.

    4. Show him you like sex too: It kills a man's ego when he struggles to get it by the time he starts doing it he will be tired from wrestling with you and talking to you to convince you to have it please please if you can convince your man that you also like it and enjoy it it's very important.

    Your man thrives to bring you the latest album of your favorite musician which will stop him from bringing you a new style of sex if he knows you like it.

    5. Respond to his lovemaking: Do not lie there like you are dead run your hands on his back and spread out those legs for him and move up to meet him, moan and groan, hiss like a snake.

    6. If he hits the right spot say it and show it: Urge him on and hold him tight there, speak in tongues.

    7. Suggest positions: And fully participate in your favorite position do not be afraid to go on top.

    8. Satisfy him first he will eventually satisfy you: Make him happy and allow him to enjoy you he will return the compliment.

    9. Do everything he likes and enjoy pleasing him: You think most men leave you because they got what they wanted: No they would have discovered that you are not enjoying what they are offering you so enjoy what is offered first!
    *LESSONS FOR WOMEN IN MARRIAGE! +18* Most women complain of sexual dissatisfaction but the question you should be asking yourself is: Are you playing your part as a woman? Do you know the things that turn your man on? Do you know that a man needs to be caressed and complimented in order to feel like making love to you? May You Try This It May Help: 1. Be romantic, playful, and spontaneous. Touch your man play with his body flirt with him on the phone compliment him always tell him you love him send him dirty suggestive messages. 2. Please do not be afraid: Ashamed or irritated to take him into your mouth it's exciting once you get the hang of it. 3. Allow him unlimited access to your body: Allow him to go down on you. Do not hide your sensitive areas: surely why do hide your breasts ears and womanhood then claim he can't turn me on. 4. Show him you like sex too: It kills a man's ego when he struggles to get it by the time he starts doing it he will be tired from wrestling with you and talking to you to convince you to have it please please if you can convince your man that you also like it and enjoy it it's very important. Your man thrives to bring you the latest album of your favorite musician which will stop him from bringing you a new style of sex if he knows you like it. 5. Respond to his lovemaking: Do not lie there like you are dead run your hands on his back and spread out those legs for him and move up to meet him, moan and groan, hiss like a snake. 6. If he hits the right spot say it and show it: Urge him on and hold him tight there, speak in tongues. 7. Suggest positions: And fully participate in your favorite position do not be afraid to go on top. 8. Satisfy him first he will eventually satisfy you: Make him happy and allow him to enjoy you he will return the compliment. 9. Do everything he likes and enjoy pleasing him: You think most men leave you because they got what they wanted: No they would have discovered that you are not enjoying what they are offering you so enjoy what is offered first!
    WHATSAPP.COM
    💑MARRIAGE TIPS, HEALTH AND BUSINESS ADVICES 💞💃 | WhatsApp Channel
    💑MARRIAGE TIPS, HEALTH AND BUSINESS ADVICES 💞💃 WhatsApp Channel. *❤️MARRIAGE IS A BEAUTIFUL THING CREATED BY GOD,* *FOR YOU TO ENJOY IT THERE ARE SOME TIPS AND ADVICE YOU NEED TO LEARN:🌹* *6 SECRETS IN MARRIAGE THAT WILL SAVE YOUR RELATIONSHIP FOR BETTER!*🍹 Secret 1 *Everyone you marry has a weakness. So if you focus on your spouse's weakness you can't get the best out of his strength.* Secret 2 *Everyone has a dark history. No one is an angel. When you get married or you want to get married stop digging into someone's past. What matters most is the present life of your partner. Old things have passed away. Forgive and forget. Focus on the present and the future.* Secret 3 *Every marriage has its own challenges. Marriage is not a bed of roses. Every good marriage has gone through its own test of blazing fire. True love proves in times of challenges. Fight for your marriage. Make up your mind to stay with your spouse in times of need. Remember the vow For better for worse. In sickness and in health be there.* Secret 4 *Every marriage has different levels of success. Don't compare your marriage with any one else. We can never be equal. Some will be far, some behind. To avoid marriage stresses, be patient, work hard and with time your marriage dreams shall come true.* Secret 5 *To get married is declaring war. When you get married you must declare war against enemies of marriage. Some enemies of marriage are:* 1. Ignorance 2. Prayerlessness 3. Unforgiveness 4. Third party influence 5. Stinginess 6. Stubbornness 7. Lack of love 9. Rudeness 10. Laziness 11. Disrespect 12. Cheating Be ready to fight to maintain your marriage zone. Secret 6 *There is no perfect marriage.There is no ready made marriage. Marriage is hard work. Volunteer yourself to work daily on it.* *Marriage is like a car that needs proper maintenance and proper service. If this is not done it will break down somewhere exposing the owner to danger or some unhealthy circumstances Let us not be careless about our marriages.🙏*. 39K followers
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  • THE DEVIL'S MISTRESS
    PART 15
    Nine months. The city of Lagos breathed, pulsed, and roared beneath a relentless sun, oblivious to the silent war waged within the gilded cage of Sebastian Scar’s world. Time had scarred over the raw wound of the poisoning, leaving a thick, knotted tissue of suspicion, bitterness, and a haunting absence.
    Scar stood at the penthouse window, a tumbler of untouched whiskey in his hand. The view was the same – the sprawling, vibrant chaos of the city he commanded. Yet, it felt alien, muted. Amanda flitted around the living room behind him, the sharp click of her designer heels a constant, grating counterpoint to the silence in his soul. She’d embedded herself like a persistent thorn, a constant presence draped in silks and poisonous concern. She managed his schedule, filtered information, played the devoted caretaker – the role of the wronged fiancée finally vindicated. But her attempts to reignite their past, to seduce him, were met with a cold, impenetrable wall. He tolerated her, used her efficiency, but the chamber of his heart she once occupied was now a locked vault filled only with echoes of betrayal and the phantom scent of jasmine.
    Jessica. The name was a ghost that walked the halls. His men – the best trackers, the most connected shadows in the city – had turned Lagos upside down. Rivers dredged, slums combed, borders watched, informants squeezed dry. Nothing. Not a whisper, not a footprint. She and Ghost had vanished as if swallowed by the earth. The frustration was a constant, low hum beneath his rage. He didn’t just want her dead anymore; a deeper, more torturous need had taken root. He needed to *see* her. To look into the eyes he’d once drowned in and demand, with the last breath she’d ever draw, *“Why?”* Why shatter the sanctuary he’d built for them? Why poison the hand that gave her everything? Why betray a love that had thawed his frozen heart? The unanswered question festered, poisoning his days more insidiously than the aconite ever had.
    Her family remained a confusing testament to that shattered past. Still under house arrest in the mansion he’d gifted them, guarded by men whose loyalty was now solely to him. Amanda railed against it constantly. "They know something, Sebastian! They’re her blood! They’re laughing at you, hiding her!" she’d hiss, her eyes flashing with malice. But Scar had held firm. "They stay. Unharmed." It was a command born not of mercy, but of a grim, unresolved thread. Harming them felt like closing a door he wasn’t ready to shut, admitting a finality he couldn’t face. Were they hostages for a ghost? Or a lingering, irrational hope that their presence might somehow draw her out? He didn’t know anymore.
    Ghost… his betrayal stung with a unique venom. A man forged in the same fires of loyalty, whose silence had always been his strength. He’d reappeared weeks after the poisoning, materializing one night in Scar’s study as if stepping from a shadow. His story was chillingly plausible, delivered with his usual impassive calm. He’d tracked a lead on a rival faction potentially linked to the poison, deep into the Niger Delta. Communications compromised. Ambushed. Left for dead. He’d only just recovered. He vehemently denied helping Jessica escape. "Boss, I would die before betraying you. She must have had other help, or she was far more resourceful than we knew. I failed you. I should have been there." The explanation was tight, logical. Scar had stared into Ghost’s unreadable eyes, searching for a flicker of deceit. He found none. But the absence of proof wasn’t proof of innocence, and a seed of doubt, carefully nurtured by Amanda’s whispers, remained. Ghost was reinstated, his duties curtailed, watched.
    Meanwhile, miles away yet impossibly close, hidden in a modest, unremarkable apartment building just five streets from the towering opulence of Scar’s villa, Jessica lived in the fragile eye of the storm. Ghost’s gamble had been audacious. Bringing her back to the lion’s den, to a safehouse nestled within the very territory crawling with men hunting her. It was a move born of necessity and audacious strategy – the last place Scar would think to look.
    Jessica’s world was confined to three small rooms. The weight she carried now wasn't just fear, but the profound, undeniable swell of her pregnancy. Eight months. Her body was a landscape of taut skin, aching bones, and the ceaseless, miraculous flutter of life within. Chioma, Ghost’s fiercely protective fiancée, was her anchor, her midwife, her confidante. She tended to Jessica with quiet competence, brewing herbal teas for the swelling in her ankles, massaging the knots from her back, her eyes holding a constant, watchful worry.
    The apartment was a world away from the penthouse luxury, filled with the smell of simmering stews and the sound of distant city life filtering through thin walls. Jessica spent her days by a small window overlooking a dusty courtyard, her hands often resting on the hard curve of her belly. She traced patterns, whispered secrets to the life inside – stories of its father, not the man baying for her blood, but the man who had held her like she was the world, who had whispered love against her skin. "Your Papa, Sebastian," she’d murmur, tears often blurring her vision. "He’s strong. He’s brave. And he’s lost right now. But we’ll find him, little one. We’ll make him see."
    Fear was a constant companion. Every footstep on the stairwell, every raised voice in the courtyard, sent her heart racing. But it was tempered now by a ferocious, maternal resolve. She carried Scar’s heir. This child was her truth, her weapon, her reason to fight. She couldn’t run forever. She had to clear her name, for herself, for her child, and for the man whose love had created this life, even if he now sought to end hers.
    Unbeknownst to Jessica and Scar, a quiet revolution was brewing among the ranks. William, Scar’s steadfast second-in-command, had become the epicenter of doubt. The initial rage had cooled, replaced by cold logic and gnawing inconsistencies. The missing CCTV footage – too clean, too convenient. Amanda’s constant presence, her manipulation of information, her eagerness to see Jessica’s family harmed. Ghost’s improbable, yet unchallenged, alibi. And Jessica… the girl from the slums who’d fought tooth and nail for an education, who’d sent money home religiously, who’d looked at Scar with an adoration William had never seen in Amanda’s calculating eyes. Did that woman poison the man she loved?
    William began cautiously. Late-night meetings in secure garages, hushed conversations with other senior lieutenants – men who’d witnessed Jessica’s quiet strength, who remembered Scar’s transformation when she was near. Men like Kola, the head of security, who’d privately questioned the lack of physical evidence tying Jessica to the poison beyond proximity. Slowly, carefully, a network of doubt solidified into a conspiracy of truth. They shared fragments: Amanda making unexplained calls before the poisoning, her subtle influence over certain guards, her unnatural calm amidst the chaos. They couldn’t prove anything yet, but the conviction grew – Jessica was innocent. Amanda had orchestrated it all. And Ghost… his role was still murky, but his return and Jessica’s continued disappearance pointed towards something more complex than betrayal.
    Their plan was dangerous, embryonic. Gather irrefutable proof. Find Jessica. Expose Amanda before she consolidated her power or eliminated them. They moved like shadows within shadows, aware that one misstep meant death.
    Back in the penthouse, Amanda felt the shifting sands. Scar’s coldness was a fortress she couldn’t breach. Her seduction attempts – lingering touches, suggestive whispers, expensive lingerie showcased under flimsy robes – were met with indifference or curt dismissal. He slept in his own room, the door locked. The engagement ring she’d subtly placed on her finger remained unacknowledged.
    One evening, fueled by desperation and expensive wine, she cornered him in his study. He was reviewing weapons manifests, his profile harsh in the lamplight. She approached, the scent of her perfume cloying. "Sebastian," she purred, draping herself over the arm of his chair, her hand sliding onto his thigh. "It’s late. You work too hard. Let me… ease your mind." Her fingers crept higher.
    Scar didn’t look up. His hand shot out, not violently, but with crushing finality, clamping around her wrist and removing it from his leg. His touch was ice-cold. "Don't," he said, his voice devoid of any inflection, his gaze still fixed on the papers. "Leave, Amanda."
    Humiliation burned her cheeks. "Why?" she hissed, the mask slipping. "Why cling to the ghost of that treacherous whore? I’m *here*. I’ve *always* been here! We’re meant to be together!"
    Finally, he looked at her. His eyes, dark and fathomless, held not anger, but a chilling emptiness. "Meant to be?" he echoed, a hollow laugh escaping him. "That childhood contract died the day you shot an unarmed woman in my house. It was buried when you poisoned me and framed Jessica. You are here because you manipulated your way in. Not because I want you. Not because I *ever* will." He stood, towering over her, the sheer force of his presence pushing her back a step. "You serve a purpose, Amanda. For now. Don't mistake tolerance for desire. Now get out."
    She fled, not in tears, but in a silent, shaking rage that promised retribution. The walls were closing in. William’s subtle resistance, Scar’s impenetrable coldness, the persistent, maddening silence of Jessica’s whereabouts – it was all unraveling.
    As Amanda seethed in her suite, and Scar stared sightlessly at the city lights, wrestling with ghosts and unanswered questions, Jessica lay in the stifling heat of the safehouse apartment, Chioma gently rubbing cooling balm onto her swollen feet. The baby kicked vigorously, a powerful reminder of the life pulsing against all odds. Five streets away, William and Kola met in a dimly lit back room, a stolen security log spread between them, their voices low and urgent. The storm was no longer gathering; it was on the horizon, a tempest fueled by love, betrayal, and the desperate hope held within a heavily pregnant woman hidden in plain sight. The reckoning was coming, and the heir to the Scar empire would be born amidst its fury.
    TO BE CONTINUED...
    THE DEVIL'S MISTRESS PART 15 Nine months. The city of Lagos breathed, pulsed, and roared beneath a relentless sun, oblivious to the silent war waged within the gilded cage of Sebastian Scar’s world. Time had scarred over the raw wound of the poisoning, leaving a thick, knotted tissue of suspicion, bitterness, and a haunting absence. Scar stood at the penthouse window, a tumbler of untouched whiskey in his hand. The view was the same – the sprawling, vibrant chaos of the city he commanded. Yet, it felt alien, muted. Amanda flitted around the living room behind him, the sharp click of her designer heels a constant, grating counterpoint to the silence in his soul. She’d embedded herself like a persistent thorn, a constant presence draped in silks and poisonous concern. She managed his schedule, filtered information, played the devoted caretaker – the role of the wronged fiancée finally vindicated. But her attempts to reignite their past, to seduce him, were met with a cold, impenetrable wall. He tolerated her, used her efficiency, but the chamber of his heart she once occupied was now a locked vault filled only with echoes of betrayal and the phantom scent of jasmine. Jessica. The name was a ghost that walked the halls. His men – the best trackers, the most connected shadows in the city – had turned Lagos upside down. Rivers dredged, slums combed, borders watched, informants squeezed dry. Nothing. Not a whisper, not a footprint. She and Ghost had vanished as if swallowed by the earth. The frustration was a constant, low hum beneath his rage. He didn’t just want her dead anymore; a deeper, more torturous need had taken root. He needed to *see* her. To look into the eyes he’d once drowned in and demand, with the last breath she’d ever draw, *“Why?”* Why shatter the sanctuary he’d built for them? Why poison the hand that gave her everything? Why betray a love that had thawed his frozen heart? The unanswered question festered, poisoning his days more insidiously than the aconite ever had. Her family remained a confusing testament to that shattered past. Still under house arrest in the mansion he’d gifted them, guarded by men whose loyalty was now solely to him. Amanda railed against it constantly. "They know something, Sebastian! They’re her blood! They’re laughing at you, hiding her!" she’d hiss, her eyes flashing with malice. But Scar had held firm. "They stay. Unharmed." It was a command born not of mercy, but of a grim, unresolved thread. Harming them felt like closing a door he wasn’t ready to shut, admitting a finality he couldn’t face. Were they hostages for a ghost? Or a lingering, irrational hope that their presence might somehow draw her out? He didn’t know anymore. Ghost… his betrayal stung with a unique venom. A man forged in the same fires of loyalty, whose silence had always been his strength. He’d reappeared weeks after the poisoning, materializing one night in Scar’s study as if stepping from a shadow. His story was chillingly plausible, delivered with his usual impassive calm. He’d tracked a lead on a rival faction potentially linked to the poison, deep into the Niger Delta. Communications compromised. Ambushed. Left for dead. He’d only just recovered. He vehemently denied helping Jessica escape. "Boss, I would die before betraying you. She must have had other help, or she was far more resourceful than we knew. I failed you. I should have been there." The explanation was tight, logical. Scar had stared into Ghost’s unreadable eyes, searching for a flicker of deceit. He found none. But the absence of proof wasn’t proof of innocence, and a seed of doubt, carefully nurtured by Amanda’s whispers, remained. Ghost was reinstated, his duties curtailed, watched. Meanwhile, miles away yet impossibly close, hidden in a modest, unremarkable apartment building just five streets from the towering opulence of Scar’s villa, Jessica lived in the fragile eye of the storm. Ghost’s gamble had been audacious. Bringing her back to the lion’s den, to a safehouse nestled within the very territory crawling with men hunting her. It was a move born of necessity and audacious strategy – the last place Scar would think to look. Jessica’s world was confined to three small rooms. The weight she carried now wasn't just fear, but the profound, undeniable swell of her pregnancy. Eight months. Her body was a landscape of taut skin, aching bones, and the ceaseless, miraculous flutter of life within. Chioma, Ghost’s fiercely protective fiancée, was her anchor, her midwife, her confidante. She tended to Jessica with quiet competence, brewing herbal teas for the swelling in her ankles, massaging the knots from her back, her eyes holding a constant, watchful worry. The apartment was a world away from the penthouse luxury, filled with the smell of simmering stews and the sound of distant city life filtering through thin walls. Jessica spent her days by a small window overlooking a dusty courtyard, her hands often resting on the hard curve of her belly. She traced patterns, whispered secrets to the life inside – stories of its father, not the man baying for her blood, but the man who had held her like she was the world, who had whispered love against her skin. "Your Papa, Sebastian," she’d murmur, tears often blurring her vision. "He’s strong. He’s brave. And he’s lost right now. But we’ll find him, little one. We’ll make him see." Fear was a constant companion. Every footstep on the stairwell, every raised voice in the courtyard, sent her heart racing. But it was tempered now by a ferocious, maternal resolve. She carried Scar’s heir. This child was her truth, her weapon, her reason to fight. She couldn’t run forever. She had to clear her name, for herself, for her child, and for the man whose love had created this life, even if he now sought to end hers. Unbeknownst to Jessica and Scar, a quiet revolution was brewing among the ranks. William, Scar’s steadfast second-in-command, had become the epicenter of doubt. The initial rage had cooled, replaced by cold logic and gnawing inconsistencies. The missing CCTV footage – too clean, too convenient. Amanda’s constant presence, her manipulation of information, her eagerness to see Jessica’s family harmed. Ghost’s improbable, yet unchallenged, alibi. And Jessica… the girl from the slums who’d fought tooth and nail for an education, who’d sent money home religiously, who’d looked at Scar with an adoration William had never seen in Amanda’s calculating eyes. Did that woman poison the man she loved? William began cautiously. Late-night meetings in secure garages, hushed conversations with other senior lieutenants – men who’d witnessed Jessica’s quiet strength, who remembered Scar’s transformation when she was near. Men like Kola, the head of security, who’d privately questioned the lack of physical evidence tying Jessica to the poison beyond proximity. Slowly, carefully, a network of doubt solidified into a conspiracy of truth. They shared fragments: Amanda making unexplained calls before the poisoning, her subtle influence over certain guards, her unnatural calm amidst the chaos. They couldn’t prove anything yet, but the conviction grew – Jessica was innocent. Amanda had orchestrated it all. And Ghost… his role was still murky, but his return and Jessica’s continued disappearance pointed towards something more complex than betrayal. Their plan was dangerous, embryonic. Gather irrefutable proof. Find Jessica. Expose Amanda before she consolidated her power or eliminated them. They moved like shadows within shadows, aware that one misstep meant death. Back in the penthouse, Amanda felt the shifting sands. Scar’s coldness was a fortress she couldn’t breach. Her seduction attempts – lingering touches, suggestive whispers, expensive lingerie showcased under flimsy robes – were met with indifference or curt dismissal. He slept in his own room, the door locked. The engagement ring she’d subtly placed on her finger remained unacknowledged. One evening, fueled by desperation and expensive wine, she cornered him in his study. He was reviewing weapons manifests, his profile harsh in the lamplight. She approached, the scent of her perfume cloying. "Sebastian," she purred, draping herself over the arm of his chair, her hand sliding onto his thigh. "It’s late. You work too hard. Let me… ease your mind." Her fingers crept higher. Scar didn’t look up. His hand shot out, not violently, but with crushing finality, clamping around her wrist and removing it from his leg. His touch was ice-cold. "Don't," he said, his voice devoid of any inflection, his gaze still fixed on the papers. "Leave, Amanda." Humiliation burned her cheeks. "Why?" she hissed, the mask slipping. "Why cling to the ghost of that treacherous whore? I’m *here*. I’ve *always* been here! We’re meant to be together!" Finally, he looked at her. His eyes, dark and fathomless, held not anger, but a chilling emptiness. "Meant to be?" he echoed, a hollow laugh escaping him. "That childhood contract died the day you shot an unarmed woman in my house. It was buried when you poisoned me and framed Jessica. You are here because you manipulated your way in. Not because I want you. Not because I *ever* will." He stood, towering over her, the sheer force of his presence pushing her back a step. "You serve a purpose, Amanda. For now. Don't mistake tolerance for desire. Now get out." She fled, not in tears, but in a silent, shaking rage that promised retribution. The walls were closing in. William’s subtle resistance, Scar’s impenetrable coldness, the persistent, maddening silence of Jessica’s whereabouts – it was all unraveling. As Amanda seethed in her suite, and Scar stared sightlessly at the city lights, wrestling with ghosts and unanswered questions, Jessica lay in the stifling heat of the safehouse apartment, Chioma gently rubbing cooling balm onto her swollen feet. The baby kicked vigorously, a powerful reminder of the life pulsing against all odds. Five streets away, William and Kola met in a dimly lit back room, a stolen security log spread between them, their voices low and urgent. The storm was no longer gathering; it was on the horizon, a tempest fueled by love, betrayal, and the desperate hope held within a heavily pregnant woman hidden in plain sight. The reckoning was coming, and the heir to the Scar empire would be born amidst its fury. TO BE CONTINUED...
    1 Comments 0 Shares 264 Views 0 Reviews
  • *LESSONS FOR WOMEN IN MARRIAGE! +18*
    https://whatsapp.com/channel/0029VaGhjo07tkjCfXdy322U

    Most women complain of sexual dissatisfaction but the question you should be asking yourself is: Are you playing your part as a woman? Do you know the things that turn your man on? Do you know that a man needs to be caressed and complimented in order to feel like making love to you?

    May You Try This It May Help:

    1. Be romantic, playful, and spontaneous. Touch your man play with his body flirt with him on the phone compliment him always tell him you love him send him dirty suggestive messages.


    2. Please do not be afraid: Ashamed or irritated to take him into your mouth it's exciting once you get the hang of it.

    3. Allow him unlimited access to your body: Allow him to go down on you. Do not hide your sensitive areas: surely why do hide your breasts ears and womanhood then claim he can't turn me on.

    4. Show him you like sex too: It kills a man's ego when he struggles to get it by the time he starts doing it he will be tired from wrestling with you and talking to you to convince you to have it please please if you can convince your man that you also like it and enjoy it it's very important.

    Your man thrives to bring you the latest album of your favorite musician which will stop him from bringing you a new style of sex if he knows you like it.

    5. Respond to his lovemaking: Do not lie there like you are dead run your hands on his back and spread out those legs for him and move up to meet him, moan and groan, hiss like a snake.

    6. If he hits the right spot say it and show it: Urge him on and hold him tight there, speak in tongues.

    7. Suggest positions: And fully participate in your favorite position do not be afraid to go on top.

    8. Satisfy him first he will eventually satisfy you: Make him happy and allow him to enjoy you he will return the compliment.

    9. Do everything he likes and enjoy pleasing him: You think most men leave you because they got what they wanted: No they would have discovered that you are not enjoying what they are offering you so enjoy what is offered first!
    *LESSONS FOR WOMEN IN MARRIAGE! +18* https://whatsapp.com/channel/0029VaGhjo07tkjCfXdy322U Most women complain of sexual dissatisfaction but the question you should be asking yourself is: Are you playing your part as a woman? Do you know the things that turn your man on? Do you know that a man needs to be caressed and complimented in order to feel like making love to you? May You Try This It May Help: 1. Be romantic, playful, and spontaneous. Touch your man play with his body flirt with him on the phone compliment him always tell him you love him send him dirty suggestive messages. 2. Please do not be afraid: Ashamed or irritated to take him into your mouth it's exciting once you get the hang of it. 3. Allow him unlimited access to your body: Allow him to go down on you. Do not hide your sensitive areas: surely why do hide your breasts ears and womanhood then claim he can't turn me on. 4. Show him you like sex too: It kills a man's ego when he struggles to get it by the time he starts doing it he will be tired from wrestling with you and talking to you to convince you to have it please please if you can convince your man that you also like it and enjoy it it's very important. Your man thrives to bring you the latest album of your favorite musician which will stop him from bringing you a new style of sex if he knows you like it. 5. Respond to his lovemaking: Do not lie there like you are dead run your hands on his back and spread out those legs for him and move up to meet him, moan and groan, hiss like a snake. 6. If he hits the right spot say it and show it: Urge him on and hold him tight there, speak in tongues. 7. Suggest positions: And fully participate in your favorite position do not be afraid to go on top. 8. Satisfy him first he will eventually satisfy you: Make him happy and allow him to enjoy you he will return the compliment. 9. Do everything he likes and enjoy pleasing him: You think most men leave you because they got what they wanted: No they would have discovered that you are not enjoying what they are offering you so enjoy what is offered first!
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    💑MARRIAGE TIPS, HEALTH AND BUSINESS ADVICES 💞💃 | WhatsApp Channel
    💑MARRIAGE TIPS, HEALTH AND BUSINESS ADVICES 💞💃 WhatsApp Channel. *❤️MARRIAGE IS A BEAUTIFUL THING CREATED BY GOD,* *FOR YOU TO ENJOY IT THERE ARE SOME TIPS AND ADVICE YOU NEED TO LEARN:🌹* *6 SECRETS IN MARRIAGE THAT WILL SAVE YOUR RELATIONSHIP FOR BETTER!*🍹 Secret 1 *Everyone you marry has a weakness. So if you focus on your spouse's weakness you can't get the best out of his strength.* Secret 2 *Everyone has a dark history. No one is an angel. When you get married or you want to get married stop digging into someone's past. What matters most is the present life of your partner. Old things have passed away. Forgive and forget. Focus on the present and the future.* Secret 3 *Every marriage has its own challenges. Marriage is not a bed of roses. Every good marriage has gone through its own test of blazing fire. True love proves in times of challenges. Fight for your marriage. Make up your mind to stay with your spouse in times of need. Remember the vow For better for worse. In sickness and in health be there.* Secret 4 *Every marriage has different levels of success. Don't compare your marriage with any one else. We can never be equal. Some will be far, some behind. To avoid marriage stresses, be patient, work hard and with time your marriage dreams shall come true.* Secret 5 *To get married is declaring war. When you get married you must declare war against enemies of marriage. Some enemies of marriage are:* 1. Ignorance 2. Prayerlessness 3. Unforgiveness 4. Third party influence 5. Stinginess 6. Stubbornness 7. Lack of love 9. Rudeness 10. Laziness 11. Disrespect 12. Cheating Be ready to fight to maintain your marriage zone. Secret 6 *There is no perfect marriage.There is no ready made marriage. Marriage is hard work. Volunteer yourself to work daily on it.* *Marriage is like a car that needs proper maintenance and proper service. If this is not done it will break down somewhere exposing the owner to danger or some unhealthy circumstances Let us not be careless about our marriages.🙏*. 38K followers
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  • THE FISHERMAN AND THE SKYFATHER
    (a tribute to fatherhood )
    A father’s Day Tale from the Creeks
    by
    Linda Somiari-Stewart
    in the voice of Kombare, Keeper of the Tide-Songs.

    In time before timepieces , when the tide carried secrets instead of plastic, there was a village called Opu-Toru-Piri,nestled in the belly of the Delta where the Lufafa River split into seven winding tongues.
    The people of this village were born with salt in their blood and paddle-strokes in their hearts.
    They spoke to the spirits with drums and fetched fish with prayers.
    In this famed village of fishermen lived a young man named Biebuma- sharp-eyed, hot-blooded, and full of questions.
    His father, AyibaTonye, was once the most respected fisherman on the Lufafa River.
    His canoe, Ebiegberi, had once sliced through the waters like a blade of light.
    His nets returned with fish so fat,
    you could hear the fat sing while melting on the kitchen altar.

    But time, as it does even to crocodiles, bent AyibaTonye’s back.
    It drained the fire from his bones.
    His boat groaned with every journey.
    His nets came up empty.
    His hands, once sure, trembled like leaves in Harmattan.
    Biebuma watched in silence.
    Then in anger.
    “You say the river blessed you,” he spat one night,
    “but all I see is a weak old man who sits in the dark, clinging to ghosts of old conquests, past glories “
    AyibaTonye did not raise his voice.
    He only looked into the boy’s eyes and said:
    “The day you understand the cost of keeping a household afloat,
    you will speak with softer lips.”
    Biebuma turned away.
    That night, when even the moon slept
    and only the fireflies kept watch,
    he paddled silently into the outer river
    and called upon Opu-ama-so—the Skyfather, the Spirit of winds. The father of the firmament, whose voice shakes palm trees and whose eyes see the beginning and the end.

    “Skyfather!” Biebuma cried, standing in his canoe.
    “I am the son of a broken man. It is shameful.
    Grant me the strength he never gave me!”
    The river stilled. The stars blinked once.
    Then came the Skyfather’s reply, low and vast:
    “You ask for strength.
    But do you know the shape of sacrifice?
    Here, carry this little burden for one tide.”
    A calabash rose from the river, sealed with threads of lightning and marked with ancestral art, than it looked.
    Skyfather warned:
    “Do not spill even one drop.”
    Biebuma took it, laughing.
    What weight could break the arms of a youth
    who paddled against the tides?
    He paddled home and carried the calabash on his shoulder.
    But as he walked the narrow footpath to his father’s compound,the calabash grew heavier.
    It whispered. It wept.
    It spoke in the voices of many distraught of fathers.
    His arms ached. His legs trembled.
    The trees watched in silence. He staggered and fell!
    The calabash shattered into several pieces.
    From it poured a vapor of visions - not water, not smoke, but a vapor of remembrances.
    As the vapor rose skyward, Biebuma saw his father - young, fierce, strong;
    *trading his only canoe to pay for Biebuma’s medicine during the Great Fever.

    *Selling the sacred necklace from his grandmother to buy books for Biebuma.

    *Wrestling the river god Owoi-Tuburu at midnight, so Biebuma would not drown during his naming rites by the river.

    And finally;

    *AyibaTonye declining an invitation the Council of Elders feast just to stay home and sing his son to sleep so his wife could rest.

    Biebuma fell on his face on the footpath, breathless.
    “I did not know,” he whispered.
    The Skyfather’s voice returned, gentle now- like rain on old roofs:
    “Fathers do not always explain.
    Some carry the world in silence.
    Some love with backs bent, not with words spoken but with their stoic presence ”

    Biebuma became a changed man.
    When he got home he didn’t find his father in their house .
    He found him at the riverbank,mending a net with cracked fingers.
    His father did not look up.
    But when Biebuma knelt, AyibaTonye’s hands paused just for a moment. Then he smiled.
    From that day forward ,Biebuma fished with the soul of his father in his heart.
    His nets filled not only with fish, but with understanding.
    He built a new canoe for AyibaTonye but the old man never used it.
    He only smiled and said,
    “The river gives…
    when the son learns to paddle with both arms.”

    And the griots still say today in the creeks of Lufafa:
    “To know the weight of a present father’s love,
    you must carry what he carried…
    and listen for the silence he bore.
    THE FISHERMAN AND THE SKYFATHER (a tribute to fatherhood ) A father’s Day Tale from the Creeks by Linda Somiari-Stewart in the voice of Kombare, Keeper of the Tide-Songs. In time before timepieces , when the tide carried secrets instead of plastic, there was a village called Opu-Toru-Piri,nestled in the belly of the Delta where the Lufafa River split into seven winding tongues. The people of this village were born with salt in their blood and paddle-strokes in their hearts. They spoke to the spirits with drums and fetched fish with prayers. In this famed village of fishermen lived a young man named Biebuma- sharp-eyed, hot-blooded, and full of questions. His father, AyibaTonye, was once the most respected fisherman on the Lufafa River. His canoe, Ebiegberi, had once sliced through the waters like a blade of light. His nets returned with fish so fat, you could hear the fat sing while melting on the kitchen altar. But time, as it does even to crocodiles, bent AyibaTonye’s back. It drained the fire from his bones. His boat groaned with every journey. His nets came up empty. His hands, once sure, trembled like leaves in Harmattan. Biebuma watched in silence. Then in anger. “You say the river blessed you,” he spat one night, “but all I see is a weak old man who sits in the dark, clinging to ghosts of old conquests, past glories “ AyibaTonye did not raise his voice. He only looked into the boy’s eyes and said: “The day you understand the cost of keeping a household afloat, you will speak with softer lips.” Biebuma turned away. That night, when even the moon slept and only the fireflies kept watch, he paddled silently into the outer river and called upon Opu-ama-so—the Skyfather, the Spirit of winds. The father of the firmament, whose voice shakes palm trees and whose eyes see the beginning and the end. “Skyfather!” Biebuma cried, standing in his canoe. “I am the son of a broken man. It is shameful. Grant me the strength he never gave me!” The river stilled. The stars blinked once. Then came the Skyfather’s reply, low and vast: “You ask for strength. But do you know the shape of sacrifice? Here, carry this little burden for one tide.” A calabash rose from the river, sealed with threads of lightning and marked with ancestral art, than it looked. Skyfather warned: “Do not spill even one drop.” Biebuma took it, laughing. What weight could break the arms of a youth who paddled against the tides? He paddled home and carried the calabash on his shoulder. But as he walked the narrow footpath to his father’s compound,the calabash grew heavier. It whispered. It wept. It spoke in the voices of many distraught of fathers. His arms ached. His legs trembled. The trees watched in silence. He staggered and fell! The calabash shattered into several pieces. From it poured a vapor of visions - not water, not smoke, but a vapor of remembrances. As the vapor rose skyward, Biebuma saw his father - young, fierce, strong; *trading his only canoe to pay for Biebuma’s medicine during the Great Fever. *Selling the sacred necklace from his grandmother to buy books for Biebuma. *Wrestling the river god Owoi-Tuburu at midnight, so Biebuma would not drown during his naming rites by the river. And finally; *AyibaTonye declining an invitation the Council of Elders feast just to stay home and sing his son to sleep so his wife could rest. Biebuma fell on his face on the footpath, breathless. “I did not know,” he whispered. The Skyfather’s voice returned, gentle now- like rain on old roofs: “Fathers do not always explain. Some carry the world in silence. Some love with backs bent, not with words spoken but with their stoic presence ” Biebuma became a changed man. When he got home he didn’t find his father in their house . He found him at the riverbank,mending a net with cracked fingers. His father did not look up. But when Biebuma knelt, AyibaTonye’s hands paused just for a moment. Then he smiled. From that day forward ,Biebuma fished with the soul of his father in his heart. His nets filled not only with fish, but with understanding. He built a new canoe for AyibaTonye but the old man never used it. He only smiled and said, “The river gives… when the son learns to paddle with both arms.” And the griots still say today in the creeks of Lufafa: “To know the weight of a present father’s love, you must carry what he carried… and listen for the silence he bore.
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  • LESSONS FOR WOMEN IN MARRIAGE! +18

    Most women complain of sexual dissatisfaction but the question you should be asking yourself is: Are you playing your part as a woman? Do you know the things that turn your man on? Do you know that a man needs to be caressed and complimented in order to feel like making love to you?

    May You Try This It May Help:

    1. Be romantic, playful, and spontaneous. Touch your man play with his body flirt with him on the phone compliment him always tell him you love him send him dirty suggestive messages.


    2. Please do not be afraid: Ashamed or irritated to take him into your mouth it's exciting once you get the hang of it.

    3. Allow him unlimited access to your body: Allow him to go down on you. Do not hide your sensitive areas: surely why do hide your breasts ears and womanhood then claim he can't turn me on.

    4. Show him you like sex too: It kills a man's ego when he struggles to get it by the time he starts doing it he will be tired from wrestling with you and talking to you to convince you to have it please please if you can convince your man that you also like it and enjoy it it's very important.

    Your man thrives to bring you the latest album of your favorite musician which will stop him from bringing you a new style of sex if he knows you like it.

    5. Respond to his lovemaking: Do not lie there like you are dead run your hands on his back and spread out those legs for him and move up to meet him, moan and groan, hiss like a snake.

    6. If he hits the right spot say it and show it: Urge him on and hold him tight there, speak in tongues.

    7. Suggest positions: And fully participate in your favorite position do not be afraid to go on top.

    8. Satisfy him first he will eventually satisfy you: Make him happy and allow him to enjoy you he will return the compliment.

    9. Do everything, he likes and enjoy pleasing him: You think most men leave you because they got what they wanted: No, they would have discovered that you are not enjoying what they are offering you so enjoy what is offered first!
    LESSONS FOR WOMEN IN MARRIAGE! +18 Most women complain of sexual dissatisfaction but the question you should be asking yourself is: Are you playing your part as a woman? Do you know the things that turn your man on? Do you know that a man needs to be caressed and complimented in order to feel like making love to you? May You Try This It May Help: 1. Be romantic, playful, and spontaneous. Touch your man play with his body flirt with him on the phone compliment him always tell him you love him send him dirty suggestive messages. 2. Please do not be afraid: Ashamed or irritated to take him into your mouth it's exciting once you get the hang of it. 3. Allow him unlimited access to your body: Allow him to go down on you. Do not hide your sensitive areas: surely why do hide your breasts ears and womanhood then claim he can't turn me on. 4. Show him you like sex too: It kills a man's ego when he struggles to get it by the time he starts doing it he will be tired from wrestling with you and talking to you to convince you to have it please please if you can convince your man that you also like it and enjoy it it's very important. Your man thrives to bring you the latest album of your favorite musician which will stop him from bringing you a new style of sex if he knows you like it. 5. Respond to his lovemaking: Do not lie there like you are dead run your hands on his back and spread out those legs for him and move up to meet him, moan and groan, hiss like a snake. 6. If he hits the right spot say it and show it: Urge him on and hold him tight there, speak in tongues. 7. Suggest positions: And fully participate in your favorite position do not be afraid to go on top. 8. Satisfy him first he will eventually satisfy you: Make him happy and allow him to enjoy you he will return the compliment. 9. Do everything, he likes and enjoy pleasing him: You think most men leave you because they got what they wanted: No, they would have discovered that you are not enjoying what they are offering you so enjoy what is offered first!
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  • Calvary Greetings Brock Lesnar,

    I am appalled but not surprised that rather than apologise and act Christlike, you went to your congregation and lied.

    A random content creator, didn’t shout on you, didn’t call your name, he was just on his own making videos of EXPENSIVE CARS in Lagos.

    You could have continued driving, but NO
    You stopped, it was not enough
    You wind down, it was not enough
    You pointed a WEAPON and spoke aggressively (even if it’s a stick and not a gun)
    WHAT WAS THE REASON?

    If it was at night, I’d have said possibly as the Brock Lesnar that you are, you felt threatened
    But on broad daylight, the boy was not aggressive, was not shouting, did not even expect you to stop, he was just being excited and filming nice cars in Lagos.

    And you stopped like a street tout and pointed a weapon. Is that a Jesus behaviour? Ehn Brock Lesnar?
    Even the way you spoke was Distasteful.

    Even Jesus was approached by killers and he didn’t point a weapon at them.

    Did Jesus ride on expensive horses?
    Did Jesus act like a street tout?

    You have a severe traffic aggression and you have to work on it. The other day you punched and injured a bus driver for overtaking your vehicle, today you’re pointing a weapon “even if it’s a stick”, I am sure by tomorrow, you would anoint someone’s head with a car-jack.

    I pray Jesus visits those that attended your wrestling ring this Sunday so they can develop actual brains, and stop being pawns to institutionalised religious slavery.

    Best regards to you Brock Lesnar, may the Lord continue to strengthen your uppercut and provide helmets for your enemies.

    Yours in holy combat,
    Serah.

    Calvary Greetings Brock Lesnar, I am appalled but not surprised that rather than apologise and act Christlike, you went to your congregation and lied. A random content creator, didn’t shout on you, didn’t call your name, he was just on his own making videos of EXPENSIVE CARS in Lagos. You could have continued driving, but NO You stopped, it was not enough You wind down, it was not enough You pointed a WEAPON and spoke aggressively (even if it’s a stick and not a gun) WHAT WAS THE REASON? If it was at night, I’d have said possibly as the Brock Lesnar that you are, you felt threatened But on broad daylight, the boy was not aggressive, was not shouting, did not even expect you to stop, he was just being excited and filming nice cars in Lagos. And you stopped like a street tout and pointed a weapon. Is that a Jesus behaviour? Ehn Brock Lesnar? Even the way you spoke was Distasteful. Even Jesus was approached by killers and he didn’t point a weapon at them. Did Jesus ride on expensive horses? Did Jesus act like a street tout? You have a severe traffic aggression and you have to work on it. The other day you punched and injured a bus driver for overtaking your vehicle, today you’re pointing a weapon “even if it’s a stick”, I am sure by tomorrow, you would anoint someone’s head with a car-jack. I pray Jesus visits those that attended your wrestling ring this Sunday so they can develop actual brains, and stop being pawns to institutionalised religious slavery. Best regards to you Brock Lesnar, may the Lord continue to strengthen your uppercut and provide helmets for your enemies. Yours in holy combat, Serah.
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  • Ngugi wa Thiong'o, the renowned Kenyan author and academic, has passed away at the age of 87 in Atlanta, USA.

    His daughter, Wanjiku Wa Ngugi, announced his passing on Facebook, stating that he lived a full life and fought a good fight. According to his family's wishes, details of his celebration of life will be announced soon.

    Ngugi wa Thiong'o was a celebrated novelist, playwright, and scholar known for his works that explored themes of colonialism, cultural identity, and social justice. Some of his notable works include:

    - Novels:
    - Weep Not, Child (1964)
    - The River Between (1965)
    - A Grain of Wheat (1967)
    - Petals of Blood (1977)
    - Devil on the Cross (1980)

    - Essays:
    - Decolonising the Mind (1986)
    - Moving the Center (1994)
    - Penpoints Gunpoints and Dreams (1998)

    He was a vocal advocate for the use of indigenous languages in literature and was known for his critique of neocolonialism.

    Ngugi wa Thiong'o held academic positions at esteemed institutions such as Yale University, New York University, and the University of California, Irvine, where he was a Distinguished Professor of English and Comparative Literature.

    Farewell to a Literary Giant: Honoring the Pen of Prof. Ngũgĩ wa Thiong’o

    Here are Ngugi Wa Thiong'o's books, categorized by genre:

    Novels
    - Weep Not, Child (1964) - a powerful story about the effects of the Mau Mau war on ordinary Kenyans
    - The River Between (1965) - explores the conflict between traditional and modern ways of life
    - A Grain of Wheat (1967) - considered one of Thiong'o's greatest literary achievements
    - Petals of Blood (1977) - a novel about corruption and capitalism in post-independence Kenya
    - Devil on the Cross (1980) - written in Gikuyu while Thiong'o was in prison
    - Matigari (1986) - a mythical story about a revolutionary in an unnamed country
    - Wizard of the Crow (2004) - a magical realist narrative about Africa's place in the modern world
    - The Perfect Nine (2018) - a novel exploring themes of identity and culture

    Memoirs
    - Dreams in a Time of War (2005) - a memoir about Thiong'o's childhood during the Mau Mau Uprising
    - In the House of the Interpreter (2012) - a memoir about Thiong'o's experiences in prison
    - Birth of a Dream Weaver (2016) - a memoir about Thiong'o's journey as a writer
    - Wrestling with the Devil: A Prison Memoir (2018) - a memoir about Thiong'o's experiences in prison

    Short Stories/Novellas
    - The Upright Revolution (2016) - a short story exploring themes of power and identity
    - Minutes of Glory and Other Stories (2019) - a collection of short stories

    Plays
    - The Black Hermit (1968) - a play about identity and culture
    - The Trial of Dedan Kimathi (1976) - a play about Kenya's struggle for independence
    - I Will Marry When I Want (1982) - a play about the legacies of colonialism

    Non-Fiction Books
    - Homecoming (1972) - essays about African culture and identity
    - Decolonising the Mind (1981) - a collection of essays about language and culture
    - Writers in Politics (1981) - essays about the role of writers in society
    - Globalectics (2012) - essays about literature and culture
    - The Language of Languages (2022) - a book about language and identity
    - Decolonizing Language and Other Revolutionary Ideas (2025) - a book about language and culture.
    Ngugi wa Thiong'o, the renowned Kenyan author and academic, has passed away at the age of 87 in Atlanta, USA. His daughter, Wanjiku Wa Ngugi, announced his passing on Facebook, stating that he lived a full life and fought a good fight. According to his family's wishes, details of his celebration of life will be announced soon. Ngugi wa Thiong'o was a celebrated novelist, playwright, and scholar known for his works that explored themes of colonialism, cultural identity, and social justice. Some of his notable works include: - Novels: - Weep Not, Child (1964) - The River Between (1965) - A Grain of Wheat (1967) - Petals of Blood (1977) - Devil on the Cross (1980) - Essays: - Decolonising the Mind (1986) - Moving the Center (1994) - Penpoints Gunpoints and Dreams (1998) He was a vocal advocate for the use of indigenous languages in literature and was known for his critique of neocolonialism. Ngugi wa Thiong'o held academic positions at esteemed institutions such as Yale University, New York University, and the University of California, Irvine, where he was a Distinguished Professor of English and Comparative Literature. 😭Farewell to a Literary Giant: Honoring the Pen of Prof. Ngũgĩ wa Thiong’o Here are Ngugi Wa Thiong'o's books, categorized by genre: Novels - Weep Not, Child (1964) - a powerful story about the effects of the Mau Mau war on ordinary Kenyans - The River Between (1965) - explores the conflict between traditional and modern ways of life - A Grain of Wheat (1967) - considered one of Thiong'o's greatest literary achievements - Petals of Blood (1977) - a novel about corruption and capitalism in post-independence Kenya - Devil on the Cross (1980) - written in Gikuyu while Thiong'o was in prison - Matigari (1986) - a mythical story about a revolutionary in an unnamed country - Wizard of the Crow (2004) - a magical realist narrative about Africa's place in the modern world - The Perfect Nine (2018) - a novel exploring themes of identity and culture Memoirs - Dreams in a Time of War (2005) - a memoir about Thiong'o's childhood during the Mau Mau Uprising - In the House of the Interpreter (2012) - a memoir about Thiong'o's experiences in prison - Birth of a Dream Weaver (2016) - a memoir about Thiong'o's journey as a writer - Wrestling with the Devil: A Prison Memoir (2018) - a memoir about Thiong'o's experiences in prison Short Stories/Novellas - The Upright Revolution (2016) - a short story exploring themes of power and identity - Minutes of Glory and Other Stories (2019) - a collection of short stories Plays - The Black Hermit (1968) - a play about identity and culture - The Trial of Dedan Kimathi (1976) - a play about Kenya's struggle for independence - I Will Marry When I Want (1982) - a play about the legacies of colonialism Non-Fiction Books - Homecoming (1972) - essays about African culture and identity - Decolonising the Mind (1981) - a collection of essays about language and culture - Writers in Politics (1981) - essays about the role of writers in society - Globalectics (2012) - essays about literature and culture - The Language of Languages (2022) - a book about language and identity - Decolonizing Language and Other Revolutionary Ideas (2025) - a book about language and culture.
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  • 20 WAYS TO BEFRIEND YOUR PARTNER:
    I decided to write this list because someone asked " How can I be a friend to my Lover?"
    A friend is someone who understands you and adds value to your life.
    The popular saying says," Marry your friend or befriend anyone you marry".
    1. Speak to her softly instead of shouting.
    2. ‍Always make her smile and crack jokes for her. Stare at her face and Smile, if she asks why smiling. Tell her she's beautiful; laugh when she cracks jokes or says something funny. Frowning always is not spiritual.
    3. Walk a distance together.
    4. Hang out together at eateries.
    5. Watch movies (wrestling, football, and Christian films) and play games together.
    6. Fulfill purpose by going into ministration together.
    7. Write love letters to each other.
    8. Read books together.
    9. Read the Bible together.
    10. Pray together.
    11. Sing praises and worship together.
    12. Shop for her.
    13. Speak your dialect.
    15. Call her sweet names (Honey, Gem, Gold, my heartbeat, my sugar...)
    16. Coauthor a book.
    17. Cook for her.
    18. Seek her advice and follow it as the spirit leads.
    19. Discuss your plans with her.
    20. Keep your money with her. Support him financially.
    Above all thy getting, befriend her, and watch things work for you in your relationship.
    Marriage is too long for you to journey with your boss, not a friend.
    It's absurd for you to be in a relationship and still have opposite sex Bestie somewhere else.
    A relationship thrives when you start with friendship!
    Marry your friend!
    Befriend your Lover!
    Marry your talking mate!
    Marry your purpose mate!
    Marry your spiritual mate!
    Marry your genotype mate! (You should marry someone your genotype is compatible with. AA should marry AS. AA should marry SS)
    Marry your academic mate!
    Marry your playmate!
    20 WAYS TO BEFRIEND YOUR PARTNER: I decided to write this list because someone asked " How can I be a friend to my Lover?" A friend is someone who understands you and adds value to your life. The popular saying says," Marry your friend or befriend anyone you marry". 1. Speak to her softly instead of shouting. 2. ‍Always make her smile and crack jokes for her. Stare at her face and Smile, if she asks why smiling. Tell her she's beautiful; laugh when she cracks jokes or says something funny. Frowning always is not spiritual. 3. Walk a distance together. 4. Hang out together at eateries. 5. Watch movies (wrestling, football, and Christian films) and play games together. 6. Fulfill purpose by going into ministration together. 7. Write love letters to each other. 8. Read books together. 9. Read the Bible together. 10. Pray together. 11. Sing praises and worship together. 12. Shop for her. 13. Speak your dialect. 15. Call her sweet names (Honey, Gem, Gold, my heartbeat, my sugar...) 😂😂😂 16. Coauthor a book. 17. Cook for her. 18. Seek her advice and follow it as the spirit leads. 19. Discuss your plans with her. 20. Keep your money with her. Support him financially. Above all thy getting, befriend her, and watch things work for you in your relationship. Marriage is too long for you to journey with your boss, not a friend. It's absurd for you to be in a relationship and still have opposite sex Bestie somewhere else. A relationship thrives when you start with friendship! Marry your friend! Befriend your Lover! Marry your talking mate! Marry your purpose mate! Marry your spiritual mate! Marry your genotype mate! (You should marry someone your genotype is compatible with. AA should marry AS. AA should marry SS) Marry your academic mate! Marry your playmate!
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  • MBOMUZO IN OKWUOHIA AUTONOMOUS COMMUNITY,
    OBOWO L.G.A., IMO STATE, NIGERIA.
    Okwuohia is a Community in Obowo
    L.G.A., of Imo state, Nigeria, that has enviable rich historical background and deep cultural heritage. Okwuohia is the only community in Obowo and the old ETITI District that has four markets covering the four market days in Igbo calendar, namely: Eke, Orie, Afor and Nkwo. All these have distinct locations and hold accordingly.
    The community prides herself with many cultural festivals which include Mbomuzo, Ntumaka, Nrim-ji (Iri ji) among others. But the one that attracts people in their numbers to the community is, "MBOMUZO", a-k-a "NKUISI-MKPURU-UKWA".
    MBOMUZO simply means, "clearing of the roads ", otherwise known as environmental cleansing, especially with regard to roads leading to traditional centres and matket places. It is intended to make the roads passable again in order to give proper access to the markets and homes of citizens.
    In Okwuohia, all roads are cleared very thoroughly starting from individual homes to the Eke-Okwuohia, Orie-Okwuohia, Afor-Okwuohia and Nkwo-Okwuohia market squares. Also, roads leading to major and significant rivers are cleared. For instance, the Onu-iyi-lolo-nwanyi (Onu-ngele) stream at Umuduru Mgbakam is usually kept cleared for the "AHIA-NGANGA" ceremony by the women of Okwuohia during the same period. It has to be noted that all the road clearing and cleansing must be completed on or before the NKWO market day preceding the EKE market day of the ceremony.
    NKUISI-MKPURU-UKWA: As said earlier in this write-up, MBOMUZO Okwuohia is also referred to as NKUISI-MKPURU-UKWA. Why?
    Ours, is an agrarian community. In those good old days, our people cultivated yams, coco-yams, maize, cassava and mkpokoro in large scales. Farming was done more at locations far away from homes. Due to this, farmers constructed make-shift structures there in the bush/farms, where they rested and had their meals during the toils of the day. Most times, people returned to their homes very late in the evening. Major foods eaten in the farms those days were bread-fruits (Ukwa), palm kernels, yams and coco-yams. The bread-fruits were eaten whole without removing the the shells or the outer covers. Farming took place between the months of January and May, during which period farmers fed on any available food items. When such farmers returned to their homes from their farms in the month of May, they settled down to enjoy more pleasant and well prepared food. They would no longer eat the bread-fruits with their shells. Also, they cleaned their environments that had been left bushy during the period of intensive farming activities in the farms. From their homes, clearing and cleansing progress to the roads that lead to other homes and traditional centres. At this time, people begin to exchange visits with relatives and friends both far and near to show that they have returned home after the farming period in the bush. Such visits are usually reciprocated. During such visits, entertainments are unlimited based on the dispositions of the parties involved. In Okwuohia, after the entertainment at home, people gather at the designated market square to demonstrate it the more. The venue is usually at the ORIE OKWUOHIA, where the EKWIRIKWE music music is played and danced in an organized manner.
    EKWIRIKWE MUSIC AND ORDER OF DANCING:
    After the presentation and blessing of kola-nuts by the traditional ruler of Okwuohia, who declares the ceremony open after his speech and brief demonstration of the dance, the ceremony begins. Ofeiyi people, who are the custodians of the EKWIRIKWE do a brief demonstration dance. Thereafter, the traditional order of seniority of the three sections of Okwuohia is strictly observed thus: MGBAKAM, OFEIYI and AMARAMOHIA. Finally, a general dance which is usually longer and more thrilling comes up and marks the end of the ceremony.
    The EKWIRIKWE music delivers messages which present Okwuohia as place with people of remarkable mutual respect, prowess and noted for wrestling. EKWIRIKWE music is used to caution Okwuohia people not to eat the bread-fruits with the shells again after the Mbomuzo. Hence, "ONYE ATALA UKWA NA MKPEKELE" and "NKUISI-MKPURU-UKWA". This is demonstrated by hitting one's back-side to symbolically discharge the ones eaten previously. Before the EKWIRIKWE dance arena is approached, people sing various songs and dance along the road according to Age Grades, socicultural groups and sections.
    MBOMUZO AND THE PRONOUNCEMENT OF DATE.
    Only the Eze of Okwuohia, in consultation with you Traditional Council has the powers to announce the date for MBOMUZO every year. Above all, it is a known fact that Okwuohia community is the first among all the communities in Obowo and even the old ETITI District to perform Mbomuzo every year, thus determining the cultural calendar for other communities that perform the same and or related festivals.
    Mbomuzo holds in Okwuohia on the second EKE-Okwuohia market day in the month of June every year. Visitors, friends, in-laws and well -wishers of the community visit the community to enjoy the characteristic hospitality and conviviality associated with the ceremony. Entertainment items are unlimited especially according to the preparedness of the individual families and persons during the period. Such entertainment items include and not limited to polished bread-fruit meals, maize pudding, cassava foo-foo, oil-bean pudding and different kinds of drinks.
    PROBLEMS:
    The festival has suffered from various problems which include but not limited to wrong perceptions, misrepresentation, misconception, ignorance, ineptitude, iconoclasm and apathy. Many, especially the less informed and the neo-religious groups strongly hold to the perception that that the festival is fetish and wasteful (especially those who are not willing to spend their resources to host guests).
    ADVANTAGES:
    The period leads to keeping the surroundings clean, re-union of families, friends, in-laws and well -wishers, tourist attraction and advancing our cultural heritage including ensuring the acquisition and development of the EKWIRIKWE playing and dancing skills.
    In the good old days, women who earnestly took part in the road and market clearing and cleansing and later took part in the AHIA-NGANGA activities after bathing on serious intents at the Onu-Lolo-nwanyi (Onu-Ngele) stream, would appear at Mbomuzo the following year either pregnant or as nursing mothers if they either prayed for or desired such thereby.
    MODIFICATIONS SO FAR:
    Since culture is dynamic, efforts have been made by the leadership of Okwuohia community, over time, to modify certain aspects of the festival and programmes there-of in order to exponge some questionable and undesirable aspects of it. For instance, the timing and declaration of the date of the festival are now done by the Traditional ruler of Okwuohia in synergy with the Traditional Council. Also, no shrine or deity is either worshipped or honoured before, during and even after the festival. Most times, the traditional rulership open the festival with Christian thanks-giving worship at an agreed Christian church here in Okwuohia.
    CONCLUSION:
    In line with the realities of the present moments, efforts should be made to allow for acceptable modifications while there should be insistence on protecting and upholding the soul, spirit and purports of the cultural heritage of our dear Okwuohia community especially as regards affects MBOMUZO.
    Written by:
    Chief Emma C. Anyanwu, (DIKEMBA),
    1st Traditional Prime Minister and Currently the Chairman of Okwuohia Traditional Council,
    Being a lecture presented by me at the 2019 edition of MBOMUZO festival, at EKE-OKWUOHIA Market Square.
    MBOMUZO IN OKWUOHIA AUTONOMOUS COMMUNITY, OBOWO L.G.A., IMO STATE, NIGERIA. Okwuohia is a Community in Obowo L.G.A., of Imo state, Nigeria, that has enviable rich historical background and deep cultural heritage. Okwuohia is the only community in Obowo and the old ETITI District that has four markets covering the four market days in Igbo calendar, namely: Eke, Orie, Afor and Nkwo. All these have distinct locations and hold accordingly. The community prides herself with many cultural festivals which include Mbomuzo, Ntumaka, Nrim-ji (Iri ji) among others. But the one that attracts people in their numbers to the community is, "MBOMUZO", a-k-a "NKUISI-MKPURU-UKWA". MBOMUZO simply means, "clearing of the roads ", otherwise known as environmental cleansing, especially with regard to roads leading to traditional centres and matket places. It is intended to make the roads passable again in order to give proper access to the markets and homes of citizens. In Okwuohia, all roads are cleared very thoroughly starting from individual homes to the Eke-Okwuohia, Orie-Okwuohia, Afor-Okwuohia and Nkwo-Okwuohia market squares. Also, roads leading to major and significant rivers are cleared. For instance, the Onu-iyi-lolo-nwanyi (Onu-ngele) stream at Umuduru Mgbakam is usually kept cleared for the "AHIA-NGANGA" ceremony by the women of Okwuohia during the same period. It has to be noted that all the road clearing and cleansing must be completed on or before the NKWO market day preceding the EKE market day of the ceremony. NKUISI-MKPURU-UKWA: As said earlier in this write-up, MBOMUZO Okwuohia is also referred to as NKUISI-MKPURU-UKWA. Why? Ours, is an agrarian community. In those good old days, our people cultivated yams, coco-yams, maize, cassava and mkpokoro in large scales. Farming was done more at locations far away from homes. Due to this, farmers constructed make-shift structures there in the bush/farms, where they rested and had their meals during the toils of the day. Most times, people returned to their homes very late in the evening. Major foods eaten in the farms those days were bread-fruits (Ukwa), palm kernels, yams and coco-yams. The bread-fruits were eaten whole without removing the the shells or the outer covers. Farming took place between the months of January and May, during which period farmers fed on any available food items. When such farmers returned to their homes from their farms in the month of May, they settled down to enjoy more pleasant and well prepared food. They would no longer eat the bread-fruits with their shells. Also, they cleaned their environments that had been left bushy during the period of intensive farming activities in the farms. From their homes, clearing and cleansing progress to the roads that lead to other homes and traditional centres. At this time, people begin to exchange visits with relatives and friends both far and near to show that they have returned home after the farming period in the bush. Such visits are usually reciprocated. During such visits, entertainments are unlimited based on the dispositions of the parties involved. In Okwuohia, after the entertainment at home, people gather at the designated market square to demonstrate it the more. The venue is usually at the ORIE OKWUOHIA, where the EKWIRIKWE music music is played and danced in an organized manner. EKWIRIKWE MUSIC AND ORDER OF DANCING: After the presentation and blessing of kola-nuts by the traditional ruler of Okwuohia, who declares the ceremony open after his speech and brief demonstration of the dance, the ceremony begins. Ofeiyi people, who are the custodians of the EKWIRIKWE do a brief demonstration dance. Thereafter, the traditional order of seniority of the three sections of Okwuohia is strictly observed thus: MGBAKAM, OFEIYI and AMARAMOHIA. Finally, a general dance which is usually longer and more thrilling comes up and marks the end of the ceremony. The EKWIRIKWE music delivers messages which present Okwuohia as place with people of remarkable mutual respect, prowess and noted for wrestling. EKWIRIKWE music is used to caution Okwuohia people not to eat the bread-fruits with the shells again after the Mbomuzo. Hence, "ONYE ATALA UKWA NA MKPEKELE" and "NKUISI-MKPURU-UKWA". This is demonstrated by hitting one's back-side to symbolically discharge the ones eaten previously. Before the EKWIRIKWE dance arena is approached, people sing various songs and dance along the road according to Age Grades, socicultural groups and sections. MBOMUZO AND THE PRONOUNCEMENT OF DATE. Only the Eze of Okwuohia, in consultation with you Traditional Council has the powers to announce the date for MBOMUZO every year. Above all, it is a known fact that Okwuohia community is the first among all the communities in Obowo and even the old ETITI District to perform Mbomuzo every year, thus determining the cultural calendar for other communities that perform the same and or related festivals. Mbomuzo holds in Okwuohia on the second EKE-Okwuohia market day in the month of June every year. Visitors, friends, in-laws and well -wishers of the community visit the community to enjoy the characteristic hospitality and conviviality associated with the ceremony. Entertainment items are unlimited especially according to the preparedness of the individual families and persons during the period. Such entertainment items include and not limited to polished bread-fruit meals, maize pudding, cassava foo-foo, oil-bean pudding and different kinds of drinks. PROBLEMS: The festival has suffered from various problems which include but not limited to wrong perceptions, misrepresentation, misconception, ignorance, ineptitude, iconoclasm and apathy. Many, especially the less informed and the neo-religious groups strongly hold to the perception that that the festival is fetish and wasteful (especially those who are not willing to spend their resources to host guests). ADVANTAGES: The period leads to keeping the surroundings clean, re-union of families, friends, in-laws and well -wishers, tourist attraction and advancing our cultural heritage including ensuring the acquisition and development of the EKWIRIKWE playing and dancing skills. In the good old days, women who earnestly took part in the road and market clearing and cleansing and later took part in the AHIA-NGANGA activities after bathing on serious intents at the Onu-Lolo-nwanyi (Onu-Ngele) stream, would appear at Mbomuzo the following year either pregnant or as nursing mothers if they either prayed for or desired such thereby. MODIFICATIONS SO FAR: Since culture is dynamic, efforts have been made by the leadership of Okwuohia community, over time, to modify certain aspects of the festival and programmes there-of in order to exponge some questionable and undesirable aspects of it. For instance, the timing and declaration of the date of the festival are now done by the Traditional ruler of Okwuohia in synergy with the Traditional Council. Also, no shrine or deity is either worshipped or honoured before, during and even after the festival. Most times, the traditional rulership open the festival with Christian thanks-giving worship at an agreed Christian church here in Okwuohia. CONCLUSION: In line with the realities of the present moments, efforts should be made to allow for acceptable modifications while there should be insistence on protecting and upholding the soul, spirit and purports of the cultural heritage of our dear Okwuohia community especially as regards affects MBOMUZO. Written by: Chief Emma C. Anyanwu, (DIKEMBA), 1st Traditional Prime Minister and Currently the Chairman of Okwuohia Traditional Council, Being a lecture presented by me at the 2019 edition of MBOMUZO festival, at EKE-OKWUOHIA Market Square.
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  • MBOMUZO IN OKWUOHIA AUTONOMOUS COMMUNITY,
    OBOWO L.G.A., IMO STATE, NIGERIA.
    Okwuohia is a Community in Obowo
    L.G.A., of Imo state, Nigeria, that has enviable rich historical background and deep cultural heritage. Okwuohia is the only community in Obowo and the old ETITI District that has four markets covering the four market days in Igbo calendar, namely: Eke, Orie, Afor and Nkwo. All these have distinct locations and hold accordingly.
    The community prides herself with many cultural festivals which include Mbomuzo, Ntumaka, Nrim-ji (Iri ji) among others. But the one that attracts people in their numbers to the community is, "MBOMUZO", a-k-a "NKUISI-MKPURU-UKWA".
    MBOMUZO simply means, "clearing of the roads ", otherwise known as environmental cleansing, especially with regard to roads leading to traditional centres and matket places. It is intended to make the roads passable again in order to give proper access to the markets and homes of citizens.
    In Okwuohia, all roads are cleared very thoroughly starting from individual homes to the Eke-Okwuohia, Orie-Okwuohia, Afor-Okwuohia and Nkwo-Okwuohia market squares. Also, roads leading to major and significant rivers are cleared. For instance, the Onu-iyi-lolo-nwanyi (Onu-ngele) stream at Umuduru Mgbakam is usually kept cleared for the "AHIA-NGANGA" ceremony by the women of Okwuohia during the same period. It has to be noted that all the road clearing and cleansing must be completed on or before the NKWO market day preceding the EKE market day of the ceremony.
    NKUISI-MKPURU-UKWA: As said earlier in this write-up, MBOMUZO Okwuohia is also referred to as NKUISI-MKPURU-UKWA. Why?
    Ours, is an agrarian community. In those good old days, our people cultivated yams, coco-yams, maize, cassava and mkpokoro in large scales. Farming was done more at locations far away from homes. Due to this, farmers constructed make-shift structures there in the bush/farms, where they rested and had their meals during the toils of the day. Most times, people returned to their homes very late in the evening. Major foods eaten in the farms those days were bread-fruits (Ukwa), palm kernels, yams and coco-yams. The bread-fruits were eaten whole without removing the the shells or the outer covers. Farming took place between the months of January and May, during which period farmers fed on any available food items. When such farmers returned to their homes from their farms in the month of May, they settled down to enjoy more pleasant and well prepared food. They would no longer eat the bread-fruits with their shells. Also, they cleaned their environments that had been left bushy during the period of intensive farming activities in the farms. From their homes, clearing and cleansing progress to the roads that lead to other homes and traditional centres. At this time, people begin to exchange visits with relatives and friends both far and near to show that they have returned home after the farming period in the bush. Such visits are usually reciprocated. During such visits, entertainments are unlimited based on the dispositions of the parties involved. In Okwuohia, after the entertainment at home, people gather at the designated market square to demonstrate it the more. The venue is usually at the ORIE OKWUOHIA, where the EKWIRIKWE music music is played and danced in an organized manner.
    EKWIRIKWE MUSIC AND ORDER OF DANCING:
    After the presentation and blessing of kola-nuts by the traditional ruler of Okwuohia, who declares the ceremony open after his speech and brief demonstration of the dance, the ceremony begins. Ofeiyi people, who are the custodians of the EKWIRIKWE do a brief demonstration dance. Thereafter, the traditional order of seniority of the three sections of Okwuohia is strictly observed thus: MGBAKAM, OFEIYI and AMARAMOHIA. Finally, a general dance which is usually longer and more thrilling comes up and marks the end of the ceremony.
    The EKWIRIKWE music delivers messages which present Okwuohia as place with people of remarkable mutual respect, prowess and noted for wrestling. EKWIRIKWE music is used to caution Okwuohia people not to eat the bread-fruits with the shells again after the Mbomuzo. Hence, "ONYE ATALA UKWA NA MKPEKELE" and "NKUISI-MKPURU-UKWA". This is demonstrated by hitting one's back-side to symbolically discharge the ones eaten previously. Before the EKWIRIKWE dance arena is approached, people sing various songs and dance along the road according to Age Grades, socicultural groups and sections.
    MBOMUZO AND THE PRONOUNCEMENT OF DATE.
    Only the Eze of Okwuohia, in consultation with you Traditional Council has the powers to announce the date for MBOMUZO every year. Above all, it is a known fact that Okwuohia community is the first among all the communities in Obowo and even the old ETITI District to perform Mbomuzo every year, thus determining the cultural calendar for other communities that perform the same and or related festivals.
    Mbomuzo holds in Okwuohia on the second EKE-Okwuohia market day in the month of June every year. Visitors, friends, in-laws and well -wishers of the community visit the community to enjoy the characteristic hospitality and conviviality associated with the ceremony. Entertainment items are unlimited especially according to the preparedness of the individual families and persons during the period. Such entertainment items include and not limited to polished bread-fruit meals, maize pudding, cassava foo-foo, oil-bean pudding and different kinds of drinks.
    PROBLEMS:
    The festival has suffered from various problems which include but not limited to wrong perceptions, misrepresentation, misconception, ignorance, ineptitude, iconoclasm and apathy. Many, especially the less informed and the neo-religious groups strongly hold to the perception that that the festival is fetish and wasteful (especially those who are not willing to spend their resources to host guests).
    ADVANTAGES:
    The period leads to keeping the surroundings clean, re-union of families, friends, in-laws and well -wishers, tourist attraction and advancing our cultural heritage including ensuring the acquisition and development of the EKWIRIKWE playing and dancing skills.
    In the good old days, women who earnestly took part in the road and market clearing and cleansing and later took part in the AHIA-NGANGA activities after bathing on serious intents at the Onu-Lolo-nwanyi (Onu-Ngele) stream, would appear at Mbomuzo the following year either pregnant or as nursing mothers if they either prayed for or desired such thereby.
    MODIFICATIONS SO FAR:
    Since culture is dynamic, efforts have been made by the leadership of Okwuohia community, over time, to modify certain aspects of the festival and programmes there-of in order to exponge some questionable and undesirable aspects of it. For instance, the timing and declaration of the date of the festival are now done by the Traditional ruler of Okwuohia in synergy with the Traditional Council. Also, no shrine or deity is either worshipped or honoured before, during and even after the festival. Most times, the traditional rulership open the festival with Christian thanks-giving worship at an agreed Christian church here in Okwuohia.
    CONCLUSION:
    In line with the realities of the present moments, efforts should be made to allow for acceptable modifications while there should be insistence on protecting and upholding the soul, spirit and purports of the cultural heritage of our dear Okwuohia community especially as regards affects MBOMUZO.
    Written by:
    Chief Emma C. Anyanwu, (DIKEMBA),
    1st Traditional Prime Minister and Currently the Chairman of Okwuohia Traditional Council,
    Being a lecture presented by me at the 2019 edition of MBOMUZO festival, at EKE-OKWUOHIA Market Square.
    MBOMUZO IN OKWUOHIA AUTONOMOUS COMMUNITY, OBOWO L.G.A., IMO STATE, NIGERIA. Okwuohia is a Community in Obowo L.G.A., of Imo state, Nigeria, that has enviable rich historical background and deep cultural heritage. Okwuohia is the only community in Obowo and the old ETITI District that has four markets covering the four market days in Igbo calendar, namely: Eke, Orie, Afor and Nkwo. All these have distinct locations and hold accordingly. The community prides herself with many cultural festivals which include Mbomuzo, Ntumaka, Nrim-ji (Iri ji) among others. But the one that attracts people in their numbers to the community is, "MBOMUZO", a-k-a "NKUISI-MKPURU-UKWA". MBOMUZO simply means, "clearing of the roads ", otherwise known as environmental cleansing, especially with regard to roads leading to traditional centres and matket places. It is intended to make the roads passable again in order to give proper access to the markets and homes of citizens. In Okwuohia, all roads are cleared very thoroughly starting from individual homes to the Eke-Okwuohia, Orie-Okwuohia, Afor-Okwuohia and Nkwo-Okwuohia market squares. Also, roads leading to major and significant rivers are cleared. For instance, the Onu-iyi-lolo-nwanyi (Onu-ngele) stream at Umuduru Mgbakam is usually kept cleared for the "AHIA-NGANGA" ceremony by the women of Okwuohia during the same period. It has to be noted that all the road clearing and cleansing must be completed on or before the NKWO market day preceding the EKE market day of the ceremony. NKUISI-MKPURU-UKWA: As said earlier in this write-up, MBOMUZO Okwuohia is also referred to as NKUISI-MKPURU-UKWA. Why? Ours, is an agrarian community. In those good old days, our people cultivated yams, coco-yams, maize, cassava and mkpokoro in large scales. Farming was done more at locations far away from homes. Due to this, farmers constructed make-shift structures there in the bush/farms, where they rested and had their meals during the toils of the day. Most times, people returned to their homes very late in the evening. Major foods eaten in the farms those days were bread-fruits (Ukwa), palm kernels, yams and coco-yams. The bread-fruits were eaten whole without removing the the shells or the outer covers. Farming took place between the months of January and May, during which period farmers fed on any available food items. When such farmers returned to their homes from their farms in the month of May, they settled down to enjoy more pleasant and well prepared food. They would no longer eat the bread-fruits with their shells. Also, they cleaned their environments that had been left bushy during the period of intensive farming activities in the farms. From their homes, clearing and cleansing progress to the roads that lead to other homes and traditional centres. At this time, people begin to exchange visits with relatives and friends both far and near to show that they have returned home after the farming period in the bush. Such visits are usually reciprocated. During such visits, entertainments are unlimited based on the dispositions of the parties involved. In Okwuohia, after the entertainment at home, people gather at the designated market square to demonstrate it the more. The venue is usually at the ORIE OKWUOHIA, where the EKWIRIKWE music music is played and danced in an organized manner. EKWIRIKWE MUSIC AND ORDER OF DANCING: After the presentation and blessing of kola-nuts by the traditional ruler of Okwuohia, who declares the ceremony open after his speech and brief demonstration of the dance, the ceremony begins. Ofeiyi people, who are the custodians of the EKWIRIKWE do a brief demonstration dance. Thereafter, the traditional order of seniority of the three sections of Okwuohia is strictly observed thus: MGBAKAM, OFEIYI and AMARAMOHIA. Finally, a general dance which is usually longer and more thrilling comes up and marks the end of the ceremony. The EKWIRIKWE music delivers messages which present Okwuohia as place with people of remarkable mutual respect, prowess and noted for wrestling. EKWIRIKWE music is used to caution Okwuohia people not to eat the bread-fruits with the shells again after the Mbomuzo. Hence, "ONYE ATALA UKWA NA MKPEKELE" and "NKUISI-MKPURU-UKWA". This is demonstrated by hitting one's back-side to symbolically discharge the ones eaten previously. Before the EKWIRIKWE dance arena is approached, people sing various songs and dance along the road according to Age Grades, socicultural groups and sections. MBOMUZO AND THE PRONOUNCEMENT OF DATE. Only the Eze of Okwuohia, in consultation with you Traditional Council has the powers to announce the date for MBOMUZO every year. Above all, it is a known fact that Okwuohia community is the first among all the communities in Obowo and even the old ETITI District to perform Mbomuzo every year, thus determining the cultural calendar for other communities that perform the same and or related festivals. Mbomuzo holds in Okwuohia on the second EKE-Okwuohia market day in the month of June every year. Visitors, friends, in-laws and well -wishers of the community visit the community to enjoy the characteristic hospitality and conviviality associated with the ceremony. Entertainment items are unlimited especially according to the preparedness of the individual families and persons during the period. Such entertainment items include and not limited to polished bread-fruit meals, maize pudding, cassava foo-foo, oil-bean pudding and different kinds of drinks. PROBLEMS: The festival has suffered from various problems which include but not limited to wrong perceptions, misrepresentation, misconception, ignorance, ineptitude, iconoclasm and apathy. Many, especially the less informed and the neo-religious groups strongly hold to the perception that that the festival is fetish and wasteful (especially those who are not willing to spend their resources to host guests). ADVANTAGES: The period leads to keeping the surroundings clean, re-union of families, friends, in-laws and well -wishers, tourist attraction and advancing our cultural heritage including ensuring the acquisition and development of the EKWIRIKWE playing and dancing skills. In the good old days, women who earnestly took part in the road and market clearing and cleansing and later took part in the AHIA-NGANGA activities after bathing on serious intents at the Onu-Lolo-nwanyi (Onu-Ngele) stream, would appear at Mbomuzo the following year either pregnant or as nursing mothers if they either prayed for or desired such thereby. MODIFICATIONS SO FAR: Since culture is dynamic, efforts have been made by the leadership of Okwuohia community, over time, to modify certain aspects of the festival and programmes there-of in order to exponge some questionable and undesirable aspects of it. For instance, the timing and declaration of the date of the festival are now done by the Traditional ruler of Okwuohia in synergy with the Traditional Council. Also, no shrine or deity is either worshipped or honoured before, during and even after the festival. Most times, the traditional rulership open the festival with Christian thanks-giving worship at an agreed Christian church here in Okwuohia. CONCLUSION: In line with the realities of the present moments, efforts should be made to allow for acceptable modifications while there should be insistence on protecting and upholding the soul, spirit and purports of the cultural heritage of our dear Okwuohia community especially as regards affects MBOMUZO. Written by: Chief Emma C. Anyanwu, (DIKEMBA), 1st Traditional Prime Minister and Currently the Chairman of Okwuohia Traditional Council, Being a lecture presented by me at the 2019 edition of MBOMUZO festival, at EKE-OKWUOHIA Market Square.
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