They buried Chief Okeke at dawn, but by nightfall, his body was back on the veranda—eyes wide open, mouth full of sand, and flies buzzing around like he never left.
CHAPTER ONE
Nobody spoke. Nobody moved. The first person to see the body was Mazi Ude, the village night watchman. He screamed once—sharp and loud—then took off running barefoot through the red sand, shouting, “Abomination! Tufia! Chief Okeke has returned!”
People gathered, drawn by the noise. Old women clutched their wrappers tighter. Young boys climbed the guava trees for a better look. The elders arrived in silence, their faces heavy with meaning. They looked at the body, then at each other.
“This is not ordinary,” Elder Nwosu said, squatting beside the corpse. “The gods have rejected him.”
The corpse lay stiff, not smelling of decay, but of palm oil and dust. His eyes were open. His skin, cold. But the strangest thing? His fingers clutched at the earth, as though he had dragged himself out of the grave.
Chief Okeke wasn’t just any man in Umuama. He was the lion. The voice that roared during village meetings. The wallet that bought silence. The hand that fed both the church and the council. He rose from nothing. From the child of a poor farmer to a man whose house had twenty-two rooms and a compound wide enough to host a football tournament.
But in his rise, he spat on many things. Especially the old ways.
"These rituals are for fools," he would say. "We have churches now. Hospitals. Banks. What will kola nut do for me that money cannot?"
When his father died, he invited a bishop from Enugu, dressed in gold robes, who spoke in tongues. No kola. No egwú. No consultation. Just hymns, glass coffins, and photo banners.
The old men watched in silence. The dibia, Ezenwa, turned his back that day and said nothing.
When his mother passed, he hurried the burial again. Hired white caterers. Flown-in musicians. And when someone mentioned "Ikwa Ozu," he laughed. "My mother does not need dance in the grave.
CHAPTER ONE
Nobody spoke. Nobody moved. The first person to see the body was Mazi Ude, the village night watchman. He screamed once—sharp and loud—then took off running barefoot through the red sand, shouting, “Abomination! Tufia! Chief Okeke has returned!”
People gathered, drawn by the noise. Old women clutched their wrappers tighter. Young boys climbed the guava trees for a better look. The elders arrived in silence, their faces heavy with meaning. They looked at the body, then at each other.
“This is not ordinary,” Elder Nwosu said, squatting beside the corpse. “The gods have rejected him.”
The corpse lay stiff, not smelling of decay, but of palm oil and dust. His eyes were open. His skin, cold. But the strangest thing? His fingers clutched at the earth, as though he had dragged himself out of the grave.
Chief Okeke wasn’t just any man in Umuama. He was the lion. The voice that roared during village meetings. The wallet that bought silence. The hand that fed both the church and the council. He rose from nothing. From the child of a poor farmer to a man whose house had twenty-two rooms and a compound wide enough to host a football tournament.
But in his rise, he spat on many things. Especially the old ways.
"These rituals are for fools," he would say. "We have churches now. Hospitals. Banks. What will kola nut do for me that money cannot?"
When his father died, he invited a bishop from Enugu, dressed in gold robes, who spoke in tongues. No kola. No egwú. No consultation. Just hymns, glass coffins, and photo banners.
The old men watched in silence. The dibia, Ezenwa, turned his back that day and said nothing.
When his mother passed, he hurried the burial again. Hired white caterers. Flown-in musicians. And when someone mentioned "Ikwa Ozu," he laughed. "My mother does not need dance in the grave.
They buried Chief Okeke at dawn, but by nightfall, his body was back on the veranda—eyes wide open, mouth full of sand, and flies buzzing around like he never left.
CHAPTER ONE
Nobody spoke. Nobody moved. The first person to see the body was Mazi Ude, the village night watchman. He screamed once—sharp and loud—then took off running barefoot through the red sand, shouting, “Abomination! Tufia! Chief Okeke has returned!”
People gathered, drawn by the noise. Old women clutched their wrappers tighter. Young boys climbed the guava trees for a better look. The elders arrived in silence, their faces heavy with meaning. They looked at the body, then at each other.
“This is not ordinary,” Elder Nwosu said, squatting beside the corpse. “The gods have rejected him.”
The corpse lay stiff, not smelling of decay, but of palm oil and dust. His eyes were open. His skin, cold. But the strangest thing? His fingers clutched at the earth, as though he had dragged himself out of the grave.
Chief Okeke wasn’t just any man in Umuama. He was the lion. The voice that roared during village meetings. The wallet that bought silence. The hand that fed both the church and the council. He rose from nothing. From the child of a poor farmer to a man whose house had twenty-two rooms and a compound wide enough to host a football tournament.
But in his rise, he spat on many things. Especially the old ways.
"These rituals are for fools," he would say. "We have churches now. Hospitals. Banks. What will kola nut do for me that money cannot?"
When his father died, he invited a bishop from Enugu, dressed in gold robes, who spoke in tongues. No kola. No egwú. No consultation. Just hymns, glass coffins, and photo banners.
The old men watched in silence. The dibia, Ezenwa, turned his back that day and said nothing.
When his mother passed, he hurried the burial again. Hired white caterers. Flown-in musicians. And when someone mentioned "Ikwa Ozu," he laughed. "My mother does not need dance in the grave.
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